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Made video about the way I design characters that I make in Anim8or.

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fromsoysauce:
So I am currently in an animation class in college. During critique of project one the prof and TA's description of my work inspired me to analyze and research the soundness of their claims. This video essay was the result:
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ENSONIQ5:
I have to disagree with your Prof and TA, I don’t think Robin or Sharkey are ‘over-sexualised’ at all.  In my opinion, the term ‘over-sexualisation’ would only apply where a deliberate attempt was made to sexualise a character inappropriately, or the sexual characteristics of a character have been dramatically enhanced.  The term should not apply to every character with sexual attributes arbitrarily, seeing a character as sexy does not automatically make them ‘over-sexualised’.

For example, Jessica Rabbit is over-sexualised in the sense that her bodily proportions are dramatically exaggerated to super-human levels.  This is perfectly in context in this case, she is supposed to be the epitome of the 1940’s sex bomb and is drawn accordingly.  On the other hand, if a My Little Pony character was drawn this way it would be clearly inappropriate.

Lara Croft may be a good example of a sexy, but not over-sexualised character.  She is supposed to be fit and healthy with a good BMI and many people will find that attractive, particularly teenage boys and young men, a fact that the game developers would have been counting on for sales.  However, while LC would be considered sexy by a certain demographic her bits are more or less in relative proportion, though some iterations of the character are a bit ‘pneumatic’.  HOWEVER, as soon as the game designers coded in boob-wobble, she became over-sexualised.  This physics-defying feature serves a single purpose: to titillate (pun intended) the game’s predominantly adolescent male audience.

Sharkey and Robin may be considered sexy, while I’m definitely not a furry and not into animals (in that way) I can see and appreciate the distinctly ‘womanly’ characteristics of these characters.  Combined with the cuteness factor that large eyes always lend to characters, these attributes result in attractive characters.  The poses I have seen have tended towards cute rather than provocative.

I doubt your teachers actually consider Robin or Sharkey to be over-sexualised, more likely they are not comfortable with the idea of characters being in any way sexual or gender-specific.  Perhaps they stir some uncomfortable and unwanted feelings of attraction that they are not able to verbalise, instead reacting negatively towards them.  Regardless, please continue doing what you do, your character modelling and rigging is among the best I have seen.

fromsoysauce:
Yea I think "Arbitrary" is a good word for this discourse. She has not addressed the video yet, but she did email me an elaborated version of her critique, which I put in the video's description, and I do feel that the things she points out are, as you said, decidedly arbitrary. i.e. she at some point says: Sharkie’s blond hair reminded me of conventional western beauty standards. I am not saying she can’t be blonde, but my question is why is she blonde.

Now read it again but replace Blonde with any other arbitrary color.

Ok I had to research the physics-defying boob-wobble, and yea when it gets to that level I can see how your description makes sense. Though I bring that up because I feel like jiggle physics are not inherently a feature that must be limited or intentionally for the sake of fulfilling that description. 

Second motion in animation is the key to making a character feel like they have weight that can affect the world they exist in, and when applied well to things like spines, and limbs the character becomes more believable. I extend this logic to say that it holds up when you apply it to things like hair and busts: after-all there is an amount of reflection of real life in the idea of that behavior of motion.

In much the same way that a character with long hair that is not rigged to react to her movement would have this uncanny feeling of making her feel like a plastic figure where the mass of her hair might as well be a solid chunk of metal, and that we as the viewers would get more believe her hair existed as what we are to perceive as hair if it properly flows with second motion when animated, I think breast physics can be used just as well to try to ground characters in a more believable space and weight in the world.

But physics defying breast-physics do look kinda ridiculous, but so too does it look weird when the physics for hair flowing is done wrong.

thecolclough:
i'd have to agree that this topic in general is very subjective, but i'd probably second Ensoniq's position overall.

tbh a lot of the type of exaggerated features you mentioned around 8:40, e.g. bold-coloured lipsticks, don't make much sense or hold much appeal to me either, despite me being a straight male.

also (veering ever so slightly off-topic, maybe), re: the caption at about 4:50 - i'm pretty sure that's the first time i've seen anyone write 'Dogs are notorious for not looking at all like sharks.'  that amused me :D

ENSONIQ5:
Jiggle physics and secondary motion are, as you say, vital in creating a character that appears to be 'real' and has actual mass.  With a deft touch it should be almost unnoticeable, conspicuous only when absent.  This is in stark contrast to the frankly bizarre levels of jiggle physics used in some games (eg. Google 'Dead or Alive jiggle physics GIF' if you dare - Warning: not safe for work!).  The difference between appropriate, accurate jiggle physics and the ridiculousness of Dead or Alive is the same difference between 'sexy' and 'over-sexualised'.

The comment 'Dogs are notorious for not looking at all like sharks.' made me laugh too.  Very Terry Pratchett-esque!

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